I'm pleased to "announce" I'm doing voice tracking for Rory Heath and his "Country Barnyard Radio."
They are located in Somersworth, New Hampshire and hopefully this South Carolina bumpkin will fit in. I will be doing a 5 night a week program.
Looking forward to being part of the air schedule.
One type of Voice Tracking is to provide smaller-market radio stations with a polished, "big city" sound using experienced disc jockeys from larger cities who can produce content quicker than younger or less-experienced (often local) talent.
Voice-tracking refers to the process of a disc jockey prerecording his or her on-air "patter." It is then combined with songs, commercials, and other elements in order to produce a product sounding like a live air shift.
Voice-tracking has become common on many music radio stations, particularly during evening, overnight, weekend, and holiday time periods. Most radio station owners consider it an economical alternative to employing live disc jockeys around the clock
Lynyrd Skynyrd canceled a string of concerts after learning guitarist Rickey Medlocke tested positive for COVID-19.
“Rickey is home resting and responding well to treatment,” the band wrote Saturday on Facebook. “We will continue to update you on his condition.”
The four affected dates are Canton, Ohio (Aug. 9); Jackson, Miss. (Aug. 10); Atlanta (Aug. 13) and Cullman, Ala. (Aug. 14). The Atlanta date is “being rescheduled” for Oct. 23, and the group’s next show is currently booked for Aug. 19 in Canandaigua, N.Y.
Brian May teased that Queen are “looking at ideas” for a possible Bohemian Rhapsody sequel, but he admitted “it’s going to be hard to follow” the Oscar-winning 2018 movie.
The guitarist revealed that news during an Instagram Live chat (via NME), noting that the original’s massive success has only added to the challenge of making a follow-up.
“None of us could have predicted how massive that was going to be,” he said. “We put a lot of heart and soul into making it, and no one could have predicted [its success], as it was bigger than Gone With the Wind. But yes, we are thinking maybe it could happen, but it would have to be a great script. It’s going to take a while to figure that out.”
This somewhat optimistic tone marks a shift in May’s thinking compared to May 2020, when he told Rolling Stone, “We don’t really think there’s another movie there. That’s the long and the short of it. … There are other ideas that we had, but I don’t think a sequel will happen. But we have looked at it pretty seriously.”
May added that Queen weren’t interested in a film focused on Freddie Mercury’s final years, when he battled HIV/AIDS. “I don’t think that would be an uplifting thing to do,” he said. “I’m not saying it’s impossible, because there is a great story there, but we don’t feel that’s the story we want to tell at the moment.”
Exploring a possible sequel is understandable: Despite its mixed critical reception, Bohemian Rhapsody earned more than $900 million worldwide and received four Academy Awards, including Best Actor for Rami Malek as Mercury.
Tour Canceled for 2021
Stevie Nicks has canceled all of her 2021 tour plans.
The Fleetwood Mac star had five solo shows planned for the year, but tweeted that she wants to play it safe "so I can continue singing for the next decade or longer.
I'm devastated and I know the fans are disappointed, but we will look towards a brighter 2022."
Motown Brings Back The Magic!
Motown Records brings life to the Netflix series ‘Motown Magic.’
Based off music from the classic label, the soundtrack includes feature vocals from Motown artists BJ The Chicago Kid, NE-YO, and Smokey Robinson.
Other artists on the soundtrack include Calum Scott, Becky G, and Trombone Shorty. Remakes of the Jackson 5 classic “ABC,” Stevie Wonder’s No. 1 hit “Superstition,” and one of the most famous Motown songs, The Temptations’ “My Girl” are all highlighted on the soundtrack.
“It’s exciting to see these timeless classics reimagined through extraordinary animation and heartfelt stories while still honoring the roots of the music,” Robinson said in a press release. Motown also captured the essence of the time in the soundtrack for the movie ‘Detroit’ last summer, based on the 1967 incident at the Algiers Hotel. a historic moment during the Civil Rights Movement.
‘Motown Magic’ follows an imaginative eight-year-old boy named Ben who paints his city, known as Motown, with decorative art. The show will premiere on Netflix November 20.
The Motown family celebrated the release of the soundtrack by showing the local Boys & Girls Club of both Hollywood, California and Detroit, Michigan an exclusive screening of the series. Newly-signed Detroit rapper Icewear Vezzo made a special appearance at the Boys & Girls Club in Detroit.
Producer Giles Martin has recently overseen the release of a series of newly remixed and expanded box sets devoted to some of the Beatles' most beloved later albums. But don't expect him to dig further back into four track-era gems like 1965's Rubber Soul or 1966's Revolver anytime soon.
The technology, he says, isn't there yet.
"That's a good example of, 'How do we do that?'" Martin told Rolling Stone. "How do I make sure that John [Lennon] or Paul [McCartney]'s vocal isn't just in the right-hand speaker, but also make sure that his guitar doesn't follow him if I put it in the center?"
Martin began experimenting with new software at Abbey Road Studios that might help while completing 2016's remix of The Beatles: Live at the Hollywood Bowl. The original tapes, which Giles' late father George Martin oversaw for release in 1977, had guitars and voices on the same track. Crowd noise was also mixed at distractingly high levels.
The younger Martin used this emerging technology to basically reverse engineer a new stereo mix by decoupling the individual elements on the old audio tracks with multiple participants. Unfortunately, the process is not yet to the point where Martin would feel comfortable trying to make similar separations in the quieter, more controlled setting of a studio recording.
"I took the crowd [noise] off and and then I sort of put the crowd back on again," Martin said. "With the source-separation software, I need to make absolutely sure that it does no harm to the audio whatsoever. With things like Hollywood Bowl, to be honest, the audio is pretty cruddy anyway. So it was actually making the audio sound better, because I was reducing the screaming. I think if you compare it to the Hollywood Bowl release my dad had to work through in the '70s, it's far better."
The earliest Beatles sessions were recorded the same way, with studio performances blended onto a single track in order to take advantage of the limited tape space provided back then. On George Harrison's "Taxman," for instance, "the guitar, the bass and drums are all on one track," Martin noted. "That's why the record is basically on the left-hand side, and then there’s a shaker on the right-hand side of the center."
Top-down remixes of Rubber Soul and Revolver will have to wait, he said, until each of those things can be given its own individual platform.
"Despite the constant requests I get on Twitter or whatever to do these albums," Martin added, "I want to make sure that we can do a good job and do a beneficial job. You've got to make sure that you're doing things at the right time for the technology."
In the meantime, Martin is updating the Dolby Atmos version of the Beatles' Sgt. Pepper's Lonely Hearts Club Band, which debuted in June on Apple Music. That particular mix was done as part of a theatrical presentation, and Martin wants to adapt it for home and headphone listening.
Following the death of his bandmate Dusty Hill, ZZ Top guitarist Billy Gibbons has opened up about his friend's health struggles in the last years of his life, saying that it was "no secret" that Hill was dealing with some issues, including a dislocated shoulder, broken hip and ulcers.
"He’s been kind of tiptoeing through keeping himself ship-shape, best he could," Gibbons told Variety. "But I think that this was a real challenge. And by throwing in the towel, it might’ve caught up with him. Who knows? I’m just glad he’s in a good spot."
The news of Hill's death came just a few days after the recent launch of a ZZ Top tour — the band had played two shows when Hill requested a dismissal, citing health reasons.
"Of course I said, 'Hey, man, health is number one. Go do your thing,'" Gibbons recalled telling him. "And I could tell through those first two valiant attempts, if he’s not giving it 110%, he was the first one to kind of say, 'Gee whiz. Let’s go take care of this.'"
In 2016 and 2017, ZZ Top had to postpone or cancel tour dates due to Hill's health issues, but this time, according to Gibbons, Hill insisted that the band continue touring during his absence. "He was adamant," Gibbons remembered, noting that Hill himself appointed ZZ Top guitar technician Elwood Francis to play in his place. "He said, 'I’m going to go down and see what’s up. In the meantime,' he said, 'the show must go on. Don’t forget it.' And he was pointing his finger and shaking it."
At the moment, the exact cause of Hill's death remains undetermined, though it's been reported the bassist passed in his sleep. "Let’s face it, you don’t necessarily pass away from a broken shoulder or broken hip," Gibbons said. "Although the attending physician had earlier warned him that bursitis was not uncommon, even arthritis, and they said it’s not a very comfortable place to be. And I could tell that he was moving a little slow. He said, 'Boy, this shoulder and hip are really starting to become a problem.' But, as of this juncture, yeah, it was off to dreamland and beyond."
Moving forward, Francis will continue to serve as Hill's replacement as the band resumes its rescheduled tour, which will go into 2022. The band performed its first show last night since Hill's death, in Tuscaloosa, Ala. "Got a new guy up here, as you know," Gibbons said from the stage. "Dusty gave me the directive. My friend, your pal, Elwood Francis is gonna hold it down behind me.
Your Own FM - Chosen to Deliver Voice Work For Wittmann Battenfeld Group & Siemens
Simpsonville based, “Your Own FM” has been chosen to supply voice over work for The Wittman Battenfeld Group. Wittmann Battenfeld is a worldwide firm that uses Artificial Intelligence (AI) technology by Siemens.
"Your Own FM" founder, Larry Tallant, will serve as the primary voice for a series of product videos which will be made available to Wittmann’s world wide client base.
“It’s truly an honor to be chosen to represent Wittmann Battenfeld and Siemens for the rollout of this groundbreaking technology. Both are world class companies and we appreciate the opportunity to be part of their team”, says Tallant.
Your Own FM is based in Simpsonville, South Carolina. It has two divisions, Voice Over Services for businesses, IVR, radio and TV imaging. The second as the designer, marketer, and programmer of streaming radio station for personal use, business, and non-profits.
The Wittmann Battenfeld Group with headquarters in Vienna/Austria and Kottingbrunn/Austria is a worldwide operating company with 8 production facilities in 5 countries and 32 subsidiaries in all major plastics markets in the world.
Siemens is a technology company focused on industry, infrastructure, mobility, and healthcare.
Creating technologies for more resource-efficient factories and resilient supply chains to smarter buildings and grids, to cleaner, comfortable transportation and advanced healthcare, the company empowers customers to transform the industries that form the backbone of economies, transforming the everyday for billions of people.
To say think you for 5 years of continued growth and success we will be reducing the cost of new stations by by 1/3, for the month of May. Its the perfect time to go worldwide and save cash.
A representative for the firm said “a number of our business clients have expressed interest in implementing a 2nd or 3rd station. The same goes for many of the family owned stations, wanting additional streaming stations for a spouse, grandchild, graduation gift, etc. Reducing the price is our way of saying thank you.”
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Chicago’s 1971 live album, Chicago at Carnegie Hall, is receiving a massive deluxe edition for its 50th anniversary. The self-appointed “rock band with horns” became the first rock act to sell out Carnegie Hall for a week, packing eight shows at the prestigious venue between April 5 and 10, 1971.
They recorded each performance and culled the highlights for the original Chicago at Carnegie Hall. Now, they’ll be releasing all eight performances for the first time as part of a new 16-CD box set, replete with replica show posters, excerpts from the original concert programs and a 28-page photo booklet.
The set hits shelves on July 16.
The original Chicago at Carnegie Hall comprised songs from the group's first three eponymous albums, each of which were certified platinum or better by the RIAA. Clocking in at two hours and 45 minutes, the quadruple LP reached No. 3 on the Billboard 200, was certified platinum and remains the band's best-selling live album.
It captures the band at the peak of its live powers, showcasing Terry Kath's incendiary blues-rock guitar solos, Danny Seraphine's furious drumming and the vocal triple threat of Kath, Robert Lamm and Peter Cetera. Chicago at Carnegie Hall was not without controversy, though. Columbia Records was skeptical that such a hulking collection would sell, agreeing to release it only after producer James Guercio pleaded on the band's behalf.
Some members were also less than thrilled with the finished product. “There’s a lot of good material, but there’s a lot of stuff that I was unhappy with and I didn’t think should be released," horn player and founding member Lee Loughnane said in the band's official bio. "There was a history behind that record. The story, the marketing, all of that stuff went into it. The program, the pictures of the building, the diagrams, all of that was part of the charisma, and it worked."
Trombonist James Pankow was blunter in his assessment. “I hate it,” he said. “The acoustics of Carnegie Hall were never meant for amplified music, and the sound of the brass after being miked came out sounding like kazoos.”
The deluxe edition of Chicago at Carnegie Hall should assuage these criticisms, as Loughnane and engineer Tim Jessup spent nearly a year working through more than 40 concert tapes at Loughnane’s home studio to remaster each concert.
The Chicago at Carnegie Hall deluxe edition will retail for $180 and is available for preorder on Rhino's website now.